ARTS & THEATER
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A Circus Robot’s Death-Defying Act
Tjaša Ferme: Welcome to Theatre Tech Talks: AI, Science, and Biomedia in Theatre, a podcast produced by HowlRound Theatre Commons,…
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That Which We Call a Struggle: A Response to Ife Olujobi’s “$5000”
Such is happening right now, thanks to Ife Olujobi’s sharp acumen in sharing her struggle with pay equity as a…
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Discovering Contemporary Theatre by Italians of African Descent
A panel discussion and reading of excerpts of plays by Italians of African descent. Featuring:Nalini Vidoolah Mootoosamy, playwright, The Foreigner’s…
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Pinkwashing Islamophobia in Performance | HowlRound Theatre Commons
Each landmark is written on the upstage wall as the performance progresses, showing the map liberal society followed as the…
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Suzan-Lori Parks’ Watch Me Work with Special Guest Neil deGrasse Tyson
Watch Me Work is a communal work session for anyone eager to nurture and sustain their creative process. Facilitated by…
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A Twelve-Foot Robotic Arm, Like Chekhov Would Have Wanted
Igor Golyak: Good question of what is real and what is not real, whether virtual theatre is real. Tjaša Ferme:…
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Aristotle Thinks Again | HowlRound Theatre Commons
This work continued a company June 2020 online workshop performance with Safer. GJR members were joined by guest performer Marcus…
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Suzan-Lori Parks’ Watch Me Work
Watch Me Work is a communal work session for anyone eager to nurture and sustain their creative process. Facilitated by…
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The International Mobility of Disabled Artists and Culture Professionals
As part of its pluriannual program co-funded by the European Union, On the Move twice a year proposes Mobility Webinars…
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Quipu: an Ancient Incan Recording Device
Tjaša Ferme: Today I had the privilege to talk to Eamonn Farrell and Lucrecia Briceno of the Anonymous Ensemble, a…
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