SHOWS

Will Trent – “Be of Service” – Review: After Impact


Softball Before the Storm

The episode opens on a deceptively bright afternoon at the police softball game, everyone pretending life is simple for a few innings. Will (Ramon Rodriguez) is striking out with almost artistic commitment and Michael (Jake McLaughlin) is losing money on the team. It’s breezy and funny, the kind of scene that feels like a palate cleanser, that might be the last uncomplicated joy the hour offers.

Be of Service” – WILL TRENT. Pictured: Jake McLaughlin as Det.
Michael Ormewood. Photo: Disney/Daniel Delgado Jr. © 2026 Disney. All
rights reserved.

Teen Vigilantes and an Epstein-Style Network

Faith’s trafficking case — the one the show has been quietly threading through for weeks — finally steps into full view. It starts with a group of young people breathlessly reporting that their friend has been “taken” by police, a claim that feels urgent until the seams start to show. The whole thing is staged, a DIY sting operation run by teen vigilantes who are tired of waiting for institutions to care about kids like them. Their supposedly kidnapped friend, Lizzie Lassen (Emma Pfitzer Price), isn’t a victim at all but a co-conspirator. Lizzie knows that her father, Dr. Eugene Lassen (Paul Rolfes) has been supplying: the birth control, abortion pills, and antivirals that keep exploited minors “functional” enough to remain profitable.

The op is reckless, dangerous, and somehow more organized than anyone wants to admit — and it works. The GBI-APD team swoops in to arrest Dr. Lassen before he can blink. He immediately lawyers up, not out of fear of the police but out of fear of the powerful men he’s in league with. 

“Be of Service” – WILL TRENT. Pictured: Jake McLaughlin as Det.
Michael Ormewood, Kevin Daniels as Det. Franklin Wilks, Iantha Richardson as
Special Agent Faith Mitchell. Photo: Disney/Matt Miller © 2026 Disney. All
rights reserved.


Faith’s Breaking Point — “Find Another Way” 

Faith later confides in Michael that the case is even uglier than anyone wants to admit. She’s traced trafficked minors to two properties — one owned by a private equity manager, the other by a Georgia State Senator who once smiled at her and shook her hand at a fundraiser. “The GBI is too politically connected to be effective,” she says, not in anger but in resignation. Michael doesn’t let her sit in it. He looks at her and says, “Then find another way.” It’s a deceptively simple line, but it becomes the moment the story pivots from institutional paralysis to personal resolve.

Angie’s Labor — Joy Interrupted

Angie (Erika Christensen) — nine months pregnant and determined to jump start labor by sheer force of will. She is doing hip rotation exercises and eating spicy food. Finally, she goes into labor. Franklin offers to drive her to the hospital, but she insists on calling Dr. Seth (Scott Foley) her husband, her anchor, her safe place.

On the drive, they exchange soft, grateful “I love you”s and “thank you”s — the kind of lines that signal a storm coming.

“Be of Service” – WILL TRENT. Pictured: Erika
Christensen as Det. Angie Polaski, Scott Foley as Dr. Seth McDale. Photo: Disney/Daniel
Delgado Jr. © 2026 Disney. All rights reserved.

Then an SUV T-bones them. 

Seth, running purely on adrenaline, manages to get Angie to the hospital before the reality of his own injuries catches up to him. It’s only once she’s safely inside that he notices the dark bloom spreading beneath his shirt. He lifts the fabric, sees the damage he’s been ignoring, and the moment hits him all at once. He coughs blood, collapses, and ultimately dies.

 

The episode doesn’t wallow — it just drops the loss like a weight and moves on, almost suspiciously fast. First Amanda. Now Seth. At this point, it’s hard not to wonder if someone in the ABC accounting department is quietly trimming the payroll while the writers pretend it’s all narrative necessity. Whatever the motive, the emotional scaffolding of the show is getting noticeably lighter, and the audience feels every missing beam.

“Be
of Service” – WILL TRENT. Pictured: Ramon
Rodriguez as Will Trent. Photo: Disney/Daniel Delgado Jr. © 2026
Disney. All rights reserved.

Will Steps In — “Be of Service” 

Will stays with Angie and Baby Edie, supporting her as she descends into a postpartum depression driven by grief, trauma, exhaustion, and the devastating timing of Seth’s death on the day she gave birth. He brings her and the baby back to his place, stepping into a role he never expected but doesn’t hesitate to claim. 

Will introduces himself to Edie using Amanda’s old mantra — “Be of service” — and quietly makes it his covenant. He’ll protect her, make her feel safe, make sure she’s okay. In the absence of Amanda and Seth, Will becomes the caretaker for his girls: Edie, Angie, Nico and, of course, Betty. This is the found family he refuses to fail.

Seasons of Healing

A quiet montage carries viewers through the months that follow, marking time not with big holiday tableaux but with the small, lived in rhythms of Will’s new reality. He settles into an unspoken paternity leave, juggling a baby bottle in one hand while Betty rides along in his backpack. Angie, still bruised by grief but no longer hollowed out by it, slowly begins to connect with her daughter, thawing from the inside out. By Christmas, she’s present again — steady enough, grounded enough — and ready to return to work.

“Be of Service” – WILL TRENT. Pictured: Erika Christensen as
Det. Angie Polaski. Photo: Disney/Matt Miller © 2026 Disney. All rights
reserved.


Back to Work — A New Partnership

When Will finally returns to work, he’s greeted by Michael Ormewood, now assigned to him through CARAP, the Cross Agency Regional Ambassador Program — a shiny new initiative cooked up by the GBI’s incoming Deputy Director and APD’s Captain Heller (Todd Allen Durkin). But the truth is simpler and far more interesting: this is Faith’s “other way,” the workaround Michael challenged her to find when the case grew too politically radioactive for the GBI to handle alone. 

Faith welcomes Angie back and walks her through the latest developments, and Angie immediately spots a familiar face on the suspect board. “Is that Judge Stanley?” she asks. “Yes, but we need more evidence” Faith answers as she opens a box that’s been delivered to the office. Inside is a dead fetus and a note that reads, “Back off.” The message is unmistakable. This isn’t just a case anymore — it’s a war.

“Bad People Don’t Get to Win.”

Faith, Michael, Franklin, Angie, Will gather — a small circle bracing for a fight they didn’t choose but won’t walk away from. Will steadies them with a reminder: “You’re doing exactly what you’re supposed to be doing.” 

“Be of Service” – WILL TRENT. Pictured: Iantha
Richardson as Special Agent Faith Mitchell. Photo: Disney/Matt Miller © 2026
Disney. All rights reserved.

And then, echoing Amanda with a conviction that feels like both a promise and a warning, he adds, “Bad people don’t get to win.” In the room, it lands as a mission statement and a benediction. Outside the room — in a world still reckoning with the fallout of Epstein’s networks and the power structures that protected them — it lands as something closer to a plea. A reminder we desperately need to keep repeating: “bad people don’t get to win,” not if we refuse to let them.

Final Thoughts — After Impact

 “Be of Service” is an episode built on impact — the literal crash that shatters Angie’s world, the emotional blow of losing Seth, the quiet but seismic shift of Will stepping into a caretaker role, the escalating pressure of Faith’s trafficking case, and the unmistakable pushback from the powerful men who want it buried. The time skip becomes a narrative buffer, letting the story breathe so the audience can feel the weight of what happened without drowning in it. As months pass, Will’s found family reshapes itself around Baby Edie, Angie’s grief slowly makes room for connection, and Faith’s investigation sharpens into something more dangerous and more necessary. The episode lands in that rare space where devastation and renewal coexist — not erasing the loss but insisting on purpose in its wake.

So, what is the after impact of this episode for you? Share your thoughts in the comments. 

Rating: 8 out of 10. 

Lynette Jones

I am a self-identified ‘woke boomer’ who hails from an era bathed in the comforting glow of a TV, not a computer screen. Navigating the digital world can sometimes leave me feeling a bit unsure, but I approach it with curiosity and a willingness to learn. Patience and kindness in this new landscape are truly valued. Let’s embrace the journey together with appreciation and a touch of humor!



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